After a slow start to the season there has be a veritable feast of excellent photography exhibitions in Melbourne over the last month or so, including John Gollings and Jane Brown at Edmund Pearce Gallery, the Fred Kruger and Light Works exhibitions (at NGVA and NGVI respectively), Littoral by Kristian Laemmle-Ruff at Colour Factory (the next local review after this one) and this exhibition, The Quiet Wildby Jacqui Stockdale at Helen Gory Galerie.
This is a very strong exhibition by Jacqui Stockdale, the metre tall colour prints (printed by the Colour Factory) displaying magnificently in the large gallery at Helen Gory. The photographs remind me of a perverse take on the ethnographic Cartes de visite that were produced during the colonial Victorian era in Australia, images of native peoples taken in studios with painted backdrops together with their cultural artefacts (which, coincidentally, can be seen in great detail and sadness in the Fred Kruger exhibition at NGVA). Drawing on personal places and stories, Mexican carnival and wrestlers masks, Indian masks, Aboriginal names and locations, Velasquez’s Las Meninas, the ghost of Frida Kahlo, rituals, gods (such as Rama) and deities, Australian scenery, performance (the process of painting the models and the outcome of this interaction), Stockdale creates a wonderful melange of archetypal characters that subvert traditional identities and narratives. Her creations “shape-shift” and frustrate attempts at categorization and assimilation.