A sculptor/director/makeup-artist/musician, Chris Cunningham use his latest Laser-Fueled Robo-Sex Ballet to express his creativity .
From his formative years sculpting alien heads for Ridley Scott to his recent “jaqapparatus1” robotic performance-art installation, seminal music video director-turned-artist Chris Cunningham retraces his varied and critically acclaimed career in this personal, self-directed short. One of an elite group of directors alongside Spike Jonze, Michel Gondry and Jonathan Glazer who redefined MTV in the 1990s, Cunningham elevated the pop promo to a burgeoning art form with daring and disturbing music videos for the likes of Aphex Twin, Björk and Madonna. While his peers graduated to the big screen, Cunningham went underground, quit making promos and commercials, and spent the best part of a decade experimenting with fusions of film, music, art and technology that culminated in a string of live audio-visual performances at festivals in Japan and Europe. For “jaqapparatus1”, his first installation unveiled last month at the Audi City London high-tech concept store—a shadowy, sci-fi set involving two laser-firing robots locked in what seemed like a brutal mating ritual-cum-war—Cunningham cast two Talos motion-controlled camera rigs as his anthropomorphized protagonists. “Mounted on the robots heads are powerful lasers which they use to attack, repel and communicate with each other,” explains Cunningham, “a kind of duel, a surreal mating display which sees each machine trying to dominate the other.”
A short video of a male covered with shaving foam and shave with a invisible line to perform a visual effect to please mostly ladies.watch video here
The Art of the Close Shave Demonstrated in Fashion Filmmaker Bart Hess’ Sexy Short
The seductive curves of a toned figure are slowly unveiled by the ultimate seamless shave in designer, animator and photographer Bart Hess’s sleek new film. Inspired by the aerodynamic forms of swimmers currently battling it out in the Olympic pool, Hess was aided by a pair of human shavers manipulating a two-meter long blade in turning a mechanical act of grooming into a strangely hypnotic performance. “What is important to me in my work is a sense of estranging,” admits Hess, who added the white bar in post-production to compound the uncanny feel of the film. “I want to show the spectator an image that may not be recognizable right away.” Collaborating on textiles with designers like Ann Sofie Back and Iris van Herpen, and sculpting unique outfits for photographer Nick Knight’s editorials for AnOther Magazine and US Vogue, Hess is known for his experimental treatment of materials, like the 15Ib slime dress created for Lady Gaga’s Born This Way album and video. “Normally within my work I am looking for the limits of a material,” says Hess. “But in this film I was looking for the limits of the shaving ritual by scaling it up to include the whole body.” Here, Hess takes NOWNESS beneath the skin of his shoot.
The performance of Highly Strung featuring the giant 14 meter puppet took place on the night of October 28th 2011 during the Nati Frinj festival. The puppet took ten people to operate and had animation (largely created by the children at the local primary school) projected onto it from projectors mounted both on the ground and in the head of the puppet itself. Music by Stephen Oakes